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Running the Show: The Essential Guide to Being a First Assistant Director, by Liz Gill
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Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In Running the Show, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and all in between. This essential guide is the only book that gives you the first hand knowledge to become a successful first assistant director
- Sales Rank: #229801 in Books
- Published on: 2012-03-28
- Original language: English
- Dimensions: 9.00" h x 6.00" w x .75" l, 1.23 pounds
- Binding: Paperback
- 264 pages
About the Author
Liz Gill has been working as a First AD since 1994, for directors such as Barry Levinson, Todd Haynes, Kevin Reynolds, and more, working on widely-seen films such as The Omen and Bloody Sunday. She has served as the director on several episodes of East Enders. She studied at Columbia University and NYU before beginning her career as an assistant to Martin Scorsese. After stints in NYC and LA (working for Harvey Weinstein), she moved to Ireland where she is one of the top First ADs in the country.
Most helpful customer reviews
8 of 8 people found the following review helpful.
An excellent guide
By Sundance Wilson
Finally!! It's nice to see a book that isn't just for future directors, actors, and screenwriters...
This book is informative, easy to read, and invaluable for anyone interested in what a 1st Assistant Director does. HOWEVER! This book doesn't just limit itself to the 1st AD position. Not only is there an amazing amount of information about the day-to-day job, she lets you know who you'll be working with (departments), some general challenges you will face, the equipment you'll use/encounter, and the skills you will need to succeed in the industry.
Although I already felt knowledgeable about the industry, Liz gave me insight that I am most grateful to have as I begin my journey into the world of film. I'd say this is one of the best books I have read about the logistical workings of the industry.
I hope you like this book as much as I do. I'm more excited than ever to get started and I'll definitely be reading it again.
Also, the companion website (!) has a lot of valuable information to supplement the book.
3 of 3 people found the following review helpful.
Most surprising gift
By Rachel Green
I brought this as a gift for my husband as a stocking gift. I have never given a gift that has had such a big impact, he spent the rest of christmas day and boxing day reading and highlighting, He loved it! "Finally someone has put into words what it is that I do!"
2 of 2 people found the following review helpful.
Just what I was looking for
By Good news
I stumbled into 1st ADing 3 years ago and I felt like I found one of my callings. However, I had a lot of gaps between my film school education in actually understanding what an AD really does. Without access to a DGA trained AD, this book helped to fill in some gaps in my learning. It doesn't answer everything but it is a great overview with helpful personal stories from the writer. The only thing that I wish it expanded upon was entry into the DGA and the role of Key Seconds or multiple 2nd AD's and how to schedule multi-camera shots. Otherwise it's a great place to either start or expand upon your knowledge of running a set.
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