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Forget Hammer. Forget Amicus or Tigon. The 1950s and ’60s were the era of the ‘X’-certificate, when the emergent British horror film was equally represented by the work of a number of independent producers who between them created some of the most memorable thrillers of the period. This was the time when madmen stalked the Circus of Horrors, Jack the Ripper rubbed shoulders with Peeping Tom, and cinemagoers were invited to walk the Corridors of Blood, enter the Theatre of Death and set foot on the Island of Terror...In X-CERT, the ‘Adults Only’ horror films that inspired the nightmares of a generation are examined in detail for the very first time through exclusive interviews, contemporary censorship reports and rare glimpses behind the scenes--complete with over 200 stills!
- Sales Rank: #2098363 in Books
- Published on: 2013-11-22
- Original language: English
- Dimensions: 9.00" h x .61" w x 6.00" l,
- Binding: Paperback
- 244 pages
Most helpful customer reviews
3 of 3 people found the following review helpful.
The gang's all here
By killer b
Author John Hamilton manages to be informative and even-handed in discussing THE VULTURE, refreshing for someone like me who enjoys this crazy, mini homage to H.P. Lovecraft. Also to be found within is the fabulous THREE CASES OF MURDER which showed Rod Serling how it's done. Along the way, you will meet ISLAND OF TERROR, NIGHT OF THE EAGLE, and so many more that our lives would be poorer for not having seen, each one well researched and more cogent than the last. Hamilton doesn't miss too many bets here and I can't recommend it highly enough. No index if you want to find fault.
2 of 2 people found the following review helpful.
Good overview of British independents who competed with Hammer
By orvuus
First off, I got this book because I absolutely love this time period in cinema, having grown up in the sixties and seventies. At that time we had no cable and the only entertainment in town besides the movie theater, which I could not afford unless my parents took me, was two and then later three TV stations. Naturally all kinds of American TV appealed to me, but on weekends and late at night the stations had little programming, and so offered up all kinds of movies, which apparently they bought as a kind of package deal with some distributor. Besides a few "A"-list titles, they had all kinds of obscure foreign and British films. This is when I was first traumatized by such films as "Horrors of the black museum." This film is not covered here, but there are plenty of interesting titles such as Circus of Horrors, which remains one of my favorites.
The book has a kind of odd structure, but is basically an ongoing historical narrative, over the course of which the author covers something like 45 titles in some depth. This includes films such as Flesh and the Fiends, Peeping Tom, Dr. Blood's Coffin, and The Devil Doll. An appendix has some details on each of the titles, and the author goes to some lengths to explain the constant struggle between the censors and the film-makers. Sadly it does not include an index, which I always think rather perverse in any book of this sort, given the ease a computer program can generate one. Any fan of the period should enjoy this book, with its in-depth discussion of the making of these films, as long as they are aware the author purposely excluded any film studio with major backing, including Tigon, the British AIP, and British Lion.
0 of 0 people found the following review helpful.
Four Stars
By Jonathan Cook
Nicely informative if a little negatively opinionated. Well researched and greatly appreciated review of some sadly overlooked films.
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