Free Ebook A Short Guide to Writing About Motion Graphics, by Michael Betancourt
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A Short Guide to Writing About Motion Graphics, by Michael Betancourt
Free Ebook A Short Guide to Writing About Motion Graphics, by Michael Betancourt
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"A Short Guide to Writing About Motion Graphics" is the one essential textbook for any student writing critically about non-narrative motion pictures. This book explains in accessible language what research is for and how to use it when writing critical examinations of motion pictures that do not tell stories. Explained using clear examples taken from published writing, this book shows how to approach a writing assignment from beginning to completion, covering such topics as "The Purpose of Research," "How to Create and Use a Close Reading," "The Relationship Between Writing and Revision," and "Common Problems and Their Solutions." This book is an essential guide for any student writing about motion graphics. The process it presents has one simple goal: writing clearly for publication.
- Sales Rank: #54937 in Books
- Published on: 2015-03-27
- Dimensions: 9.00" h x .33" w x 6.00" l,
- Binding: Paperback
- 132 pages
About the Author
Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, andpublished in journals such as CTheory, Semiotica, and Leonardo.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A clear, insightful and practical guide!
By Dominique Elliott
This textbook is organized in 2 sections:
1. The Writing Process
2. Published Examples
In section 1, the author describes the process of “close readings” through examples that both illustrate and explain the logical structure of an argument. He stresses the importance of logic, illustrating fundamental differences between deductive and inductive logic and further explains common logical errors (animistic fallacy, intentional fallacy and reification.) Also included are useful pointers on conducting research and paper revisions.
Section 2 includes four published examples, each with an introductory paragraph that describes the intent and scope of the argument. The author judiciously incorporated examples that illustrate various approaches to writing about film titles. There is much to learn from comparing their methods.
This textbook was clearly written with the student in mind: it is highly accessible and points to the common pitfalls of student papers while recommending techniques on resolving them.
With its focus on Motion Graphics, it very much fills a void in the academic literature. A very useful guide that I will be using in my own classroom from here on.
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